Judy Blume Masterclass Review

This article (Judy Blume Masterclass Review) will provide you with the opportunity to read an in-depth evaluation of Judy Blume’s Masterclass, including information on how the courses are presented, who the course is best suited for, the cost, and what I enjoyed about it, etc.

Do you want to improve your abilities in creating short stories? This review of Judy Blume’s Masterclass will tell you what you can expect to learn from it and whether or not it’s worth the money.

The Judy Blume Masterclass is ideal for you if you want to have an effect on the world, or even if you just want to tell better stories for children. It walks you through the process of finding ideas, creating characters, and telling stories that children like from start to finish.

Not only does Judy Blume make everything simple to comprehend, but she also goes into great depth regarding insignificant aspects, which is quite important for a writer of children’s fiction. Storytelling is extremely important in the early stages of our lives since we are naturally inquisitive and eager to gain knowledge.

Everyone has their own personal, iconic memories from their formative years, but what if you could write a narrative that hundreds of thousands of children adore? They are going to remember this for the rest of their lives.

Who Is Judy Blume?

Who Is Judy Blume

Judy Blume is a novelist who writes books for children, young adults, and adults, and she has won numerous awards for her work. Are You There, God? which she co-wrote, is one of her most well-known works.

It’s Just Margaret and me, and We’re All Smart Women. Her introspective writing style has captivated readers of all ages, from young children to adults, and she has established herself as an experienced and prolific author.

She has won more than ninety literary honors over her career, so it is safe to assume that she is a seasoned author who has a lot to impart.

What Is MasterClass?

What Is MasterClass

MasterClass is an online education company that provides courses that are instructed by individuals who are considered to be experts in their respective fields.

Some of the MasterClass offerings include the Neil Gaiman MasterClass, the James Patterson MasterClass, the Margaret Atwood MasterClass, the Malcolm Gladwell MasterClass, and the Gordon Ramsey MasterClass.

Learning how to cook, write, or even sing from someone who is a huge success in their area brings a special kind of excitement that can’t be found in any other situation. You can be certain that the information is authentic and correct because it was gleaned from a credible source.

How much does it set you back? A MasterClass All-Access Pass costs $180 and grants access to the platform for an entire year. Although it is charged on an annual basis in a single payment of $180, that comes out to $15 per month.

If you purchase an All-Access Pass, you will be able to enroll in an unlimited number of MasterClass courses taught by any of the site’s lecturers.

These classes can also be purchased as a present for someone else.

Now that we’ve discussed MasterClass in general, let’s narrow our focus to Judy Blume’s class in particular.

Course Overview: Judy Blume Masterclass Review

Course Overview, Judy Blume Masterclass Review

Introduction

The duration of each of the 24 classes in Judy Blume’s MasterClass ranges between ten and twenty minutes on average. This amounts to more than three hours of content in all. In addition to this, there is also a Class Workbook and a Community Hub for additional learning opportunities.

Following a brief introduction, the remainder of the class is broken out as follows:

Judy’s Childhood

Judy begins by telling us about the times she spent listening to stories when she was a child. She explains to us that ever since she was a child, “two Judys” have coexisted alongside one another, and she provides some insight into how her creative impulses led to the development of her professional path.

In a moving way, Judy expands on her concept of stories as “companions” and discusses ways in which they can offer solace to youngsters who have a sense of being different from others or of not belonging with their peers.

Finding Ideas

As a beginning point for many stories, ideas are important. Here, Judy explains how she discovers and develops new ideas, and she shows us how to:

  • Feelings can be used to create a narrative.
  • Everyday experiences can serve as a source of inspiration.
  • Create characters
  • Listen to what’s going on around you.
  • Record your findings.
  • Think outside the box.

Writing for Younger Readers

In this section, Judy discusses the significance of drawing inspiration from the child you once were in order to generate fascinating stories, as well as the ways in which connections between adults and children may contribute to our writing.

She inspires us to contemplate the topics that had an influence on us during our formative years by suggesting some visualization activities that we may do to help us get in touch with our younger selves.

In the Unlikely Event: Case Study

In the Unlikely Event is Judy’s best and most persistent case study; while she does back up her claims with many examples of her work, In the Unlikely Event is her most compelling example. She explains how she came up with the idea for this book as well as how it is unique from other concepts.

Judy uses this example to explain her techniques of research and to demonstrate the difference between writing about real people and writing about fictional characters. The author based this book on an experience from her childhood that served as the inspiration for the novel.

Creating Memorable Characters

Judy has a relationship with character writing that is palpably emotional, and she speaks without any trace of embarrassment about how she feels about it throughout the course.

She places a lot of emphasis on the fact that we need to “spend time” with our characters in order to grow them. In addition to providing us with examples from her own note-taking, she also explains to us how we might convince our readers to invest in our characters and see them as real individuals in the world.

Writing Dialogue

Judy reveals to us her passion for dialogue and teaches us how to include it in a way that will advance the plot of our works. She argues that conversation and character are inextricably linked and mutually inform one another.

The following are some of the skills that will be taught to us in this section:

  • Craft a believable voice
  • Gain an understanding of the elements that contribute to a successful conversation (and bad)
  • Attempt to record the various ways in which people speak.
  • Improve the appearance of the dialogue on the page.

Creating Plot Structure

Judy acknowledges that she is uncomfortable when it comes to the plot, which is almost a contrast to the preceding portion. She offers her own interpretation of the word and describes the manner in which she approaches it when she is writing.

The most important thing that I learned from this passage was Judy’s candid admission that not everyone would enjoy the way that we wrap things up. It is not our responsibility to ensure that everyone is happy with how things turn out.

According to what she says, all that we can do is dedicate ourselves to our narrative and see it through to the very end to the best of our abilities. Even though she believes endings to be significant, she acknowledges that this was some helpful information to think about after the book was published.

Judy’s Writing Process

Near the close of the class, Judy will discuss some of the lessons she has learned on the process of writing a book, namely from the “murky middle” to the conclusion.

Her primary focus is on maintaining the interest of the readers, and she insists that children in particular will not give you as many pages to hold their attention if the story is boring. In addition, Judy provides us with guidance regarding the following:

  • Utilizing outlines as opposed to free-form, sloppy writing
  • How to navigate your way through the middle of it
  • Approaches to take when revising
  • The primary distinction between the first and second draughts
  • Which portions of your final draughts should be deleted

In this session, I enjoyed her honesty, and I also liked how she dismissed writer’s block in a straightforward manner. According to her perspective, there are going to be good days and bad days, and we are going to have to work through them all.

Getting Ready to Submit

After completing the revisions, Judy moves on to finding an agent and getting her book published. Despite the fact that she acknowledges that times have changed, she offers some suggestions on how to craft a “knockout query” for an aspiring agent.

Additionally, she talks about her first-ever audiobook recording experience and how it influenced the way she approached the publishing process for her subsequent works. In addition, she emphasizes the significance of obtaining useful feedback and believes that if we heed her words of wisdom, we will be found.

Working With Editors

Judy gives some thought to the relationship that she has with her editor, Dick Jackson, in this section. Throughout the entire piece, she lavishes him with praise and offers some suggestions for how writers and editors can collaborate more effectively.

I found it very interesting to hear her success story about getting “discovered in the slush pile,” and I found her advice about working together to accomplish the desired goal to be quite helpful.

Rejection

“Rejection is a fact of life if you want to be a writer.”

Rejection serves as both a source of motivation and a means to strengthen Judy’s resolve. To put things in perspective, she even reads us some of her rejection letters.

Judy offers advice on overcoming our fear of rejection and committing ourselves fully to the act of writing. At the end of this segment, Judy provided us with some excellent advice on how to deal with negative feedback and move on.

For example, Judy insisted on transforming negative criticism into something nice. As she informs us, it is possible to learn from the bad and reframe our perception of criticism. As Judy points out, readers aren’t always checking out the reviews!

Marketplace

In this section, Judy discusses the more logistical aspects of publishing in relation to the general public. She devotes considerable time to describing the process by which she chooses a title for her work and how she collaborates with her agent and editor to narrow down her list of potential topics.

  • In addition, Judy discusses the following topics:
  • The various literary classifications and how to organize them
  • The advantages and disadvantages of writing to current trends
  • What she decides to write about and why she makes those choices.
  • How to advertise oneself to others

Controversy And Censorship

At the conclusion of the class, Judy discusses the challenges that she encountered following the publication of her most famous book, titled “Are You There, God?” Hello, my name is Margaret. She gives us some background information on other books that were made about the same time, in the early 1970s and 1980s.

Censorship and the ways in which books have been and continue to be questioned throughout history are the primary topics that Judy discusses. Judy, who is a supporter of the National Coalition Against Censorship, advises us not to engage in self-censorship and provides us with some parting words of wisdom on how to remain faithful to our thoughts.

Career Journey

Judy concludes our conversation by offering some parting words of wisdom on the craft of writing and describing the development of her profession from its early days to the present day. While the instances from her own professional life take center stage in her conclusion, she does teach us how to carry out the tasks listed below:

  • Make a connection with the readers.
  • Celebrate milestones
  • Participate in the joy that comes from reading

Judy really discusses her departure from writing in her concluding remarks, and she denies that she has any ambitions to produce new literature in the near future. She goes on to tell us about her goals for the future as well as how she established her own bookstore in Key West so that she could share her passion for reading and writing with others.

Who Should Take This Course?

For people who want to write children’s and young adult fiction, MasterClass’ “Judy Blume Teaches Writing” course is the best fit.

Many of Judy’s tips are broadly applicable and address common problems faced by all authors. However, I believe that aspiring YA authors would get the most out of this course, which costs $90.

The following are some of the things you’ll learn if you take this MasterClass:

  • Come up with story concepts.
  • Write for children’s audiences.
  • Your work should be ready for publishing.
  • Make your characters stand out.
  • Make your story’s dialogue believable and impactful.
  • Plot your story in a compelling manner.
  • Produce conclusive outcomes
  • Write for the audience, not for yourself.
  • Censorship is a problem.

Judy’s course, in my opinion, is appropriate for anyone from a novice to a specialist, on a scale of 1-10. To a large extent, this is due to her emphasis on the craft of writing for children. Existing authors may not find this as helpful.

Course Cost & Pricing – Judy Blume Masterclass Review

Course Cost & Pricing, Judy Blume Masterclass Review

There are two distinct ways to purchase access to MasterClass. They are as follows:

Single Course Option

The price for the option with only one course is $90.00. This grants you unrestricted access to any training program of your choosing (and its PDF resource).

Taking this into consideration, the cost of receiving instruction from Judy Blume is less than $30 per hour. When compared to the prices of other writing courses, both in-person and online, this one is offered at a fair price.

All-Access Pass

If you purchase the all-access pass, you will have access to an unlimited number of classes over the duration of your annual membership. This means that for the price of $180, you have the flexibility to choose courses from any and all topic areas. You are also free to go back and look at them whenever the mood strikes you.

MasterClass lets you get a refund within 30 days, and you can also give the class as a gift.

Course Alternatives: Judy Blume Masterclass Review

Here are some additional MasterClass options to consider if you are still on the fence about taking Judy’s class:

  • R. L. Stine—Creative Writing for Young Audiences
  • Amanda Gorman — Poetry
  • David Mamet—Dramatic Writing
  • Neil Gaiman—The Art of Storytelling
  • Margaret Atwood—Creative Writing
  • Malcolm Gladwell—Writing
  • David Sedaris—Storytelling and Humor
  • Joyce Carol Oates—The Art of the Short Story
  • Salman Rushdie – Storytelling and Writing
  • N. K. Jemisin – Fantasy and Science Fiction
  • David Baldacci—Mystery and Thriller Writing
  • Billy Collins—Reading and Writing Poetry
  • James Patterson—Writing
  • Walter Mosley – Fiction and Storytelling

When selecting a single course from MasterClass, it is important to take into consideration the areas of expertise of each instructor. If, on the other hand, you go with the yearly subscription, you might as well get all of them.

Is The Course Content Unique?

This MasterClass appears to be one of a kind given that it is Judy’s only online offering. It provides a lot of information that I couldn’t find anywhere else.

Judy has, ever since she established her bookstore in Key West, appeared to have no interest in remaining in the public glare. She also acknowledges that she is taking a break from her literary profession.

The course organizes Judy’s teachings into chapters that are easy to navigate, which is another advantage of the course in comparison to her shorter TV interviews.

The MasterClass follows Judy on her journey through her profession and provides us with invaluable guidance on how to improve our own writing along the way.

Judy Blume Masterclass Review: Is It Worth It?

The best place to learn how to write children’s books is at Judy Blume’s writing school, which focuses only on children’s literature. These online courses cover everything you need to know.

Masterclass’ all-access pass is just $180, making it a very cost-effective option. Unless you pay for a Masterclass, you’ll never have the opportunity to learn from an author of Judy Blume’s stature. Serious writers will find that the investment is well worth it.

If you don’t directly disagree with Blume’s approach, you can justify the price tag of the lectures. The numerous interviews with Judy Blume available online are a good place to start if you’re still undecided. Her focus and attitude will become clearer as a result, and you’ll be able to tell if the MasterClass will be problematic for you.

A week-long free trial of MasterClass is currently available for Blume’s style, so if you’re at all curious, you may check it out (just make sure to terminate the trial before it begins to charge).

But if you’re still on the fence, check out Blume’s in-depth look at the publishing process. A successful author like Blume can be a valuable source of information for aspiring authors who don’t know what to expect when they publish their work,

Especially when she has gone outside of her own prior experience to accomplish it. One of the best resources available, and one that illustrates the MasterClass model’s potential, is Judy Blume.

Thank you for reading this article “Judy Blume Masterclass Review.” If you have any concerns, questions, or suggestions regarding this article, please write them in the comment section below. And don’t be hesitant about passing on this piece of knowledge to others.

Frequently Asked Questions – Judy Blume Masterclass Review

How long is the Judy Blume MasterClass?

There are 24 different lectures, and the total amount of time is a little under 5 hours. The vast majority of the subjects have been divided into two separate classes.

How much does Judy Blume’s MasterClass cost?

An all-access pass to MasterClass can be purchased for $180 per year (or $15 per month). You will have access to Judy Blume as well as more than 80 other courses with this purchase.

Can I get the Judy Blume MasterClass Free?

There is no free access to Judy’s Master Class. The next best thing is to have someone else buy it as a gift for you.
Judy’s course has a trailer on MasterClass that gives us a taste of what we can anticipate learning from it. This is a great way to get a sense of the material and see whether it’s something you’d enjoy reading.

Can I get a refund if I don’t like a MasterClass?

If you buy a class from MasterClass, they have a 30-day refund policy. Return policies may vary depending on where the product was purchased.

What is Judy Blume’s writing style?

Author Judy Blume specializes in gritty, realistic tales. Usually, the main character in her works will take on the role of narrator. Blume’s novels are known for their rich characterization and extensive use of dialogue.

What is Judy Blume’s most famous book?

Are You There God? still sells well fifty years after its initial publication. Kelly Fremon Craig is adapting her novel It’s Me, Margaret into a film (The Edge of Seventeen). That means young adult literature fans can finally witness a masterpiece in the making. Blume, as her many fans will attest, is a master of writing for preteens and teenagers.

What should I read if I like Judy Blume?

Try one of these books if you’re a fan of Judy Blume.
1) Betsy Byars.
2) Jeff Kinney.
3) Gordon Korman.
4) Lois Lowry.
5) Megan McDonald.
6) Sara Pennypacker.

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